Do you think these mopheads think twice about their productions once the work is completed and the checks are signed? Do they have any kind of fondness for it? Memories? Do they give a shit at all, is what I’m getting at, when they are the avatars for such piss like this-
I haven’t watched it and I won’t because I already know it’s a waste of my finite time on earth. Why would I, the poster tells me everything I need to know. These overexposed real-life clowns don’t do anything original or thought provoking. They’re both shit-eating humiliation fetishists who get off on stoking resentful white supremacist sentiment for the hell of it. Neither of them are stupid but they are irredeemable parasites.
The first film was a cringe fest meant to appeal to, I don’t even know who – nixonians? I did actually watch it, so I feel confident in saying I found it to be forgettable and just the most cynical, disorganized, and nihilistic thought bubbles strung together to form a “movie”. Phoenix can act, but he doesn’t have to any more, and I’m very much over the complex-radioactive-“unknowable” psychotic thing he does. We get it and have seen it in enough iterations already.
Gaga, on the other hand, cannot act. Who is telling her she can? Is it a bit she is in on? I loved A Star Is Born with Judy Garland more than I thought I would, so out of morbid curiosity, I watched ten minutes or so of the 2018 version. Gaga’s acting was not pleasant to witness, and she came across as awkward more than anything. (Not to mention Bradley Cooper’s presence who just makes me stabby.) Then I found out she actually practiced the accent she used in House of Gucci which I refuse to subject myself to at length.
She recently revealed that playing Patrizia Reggiani, the Italian socialite convicted of hiring a hitman to assassinate her ex-husband, Maurizio Gucci, was a process of “becoming” rather than an “imitation”. She told Vogue that she stayed in character for 18 months, speaking with an accent for nine months of that. “Off camera,” she said. “I never broke. I stayed with her.”
Like, really? It sounds like she’s channeling a stock pile-pack of “accents” that can just be labeled as Foreign for all anyone cares. It’s so common in Anglo crap and one of the reasons I tend to be out of the loop on so much, unbearable like nails on chalkboard. It’s unconvincing and insulting, this inconsistent and unsettling Italiano-Russian-Indian-New Jersey ayy I’m walking here thing. Though she’s certainly not the first to do it, it’s remarkably awful and embarrassing to think about anyone who considers themselves an artist committing it to film, yet she has loads of defenders. I don’t get it, I find it to be shockingly bad.
So the the only explanation I can come up with that makes any amount of sense to me is that these are two “working actors” who enjoy being shit-eating sadomasochists and degrading the rest of us with their shit shows. I understand these are vehicles to telegraph ruling class fantasy to us greasy, unwashed useless good-for-nothings who can’t even carry out a protracted anything and the utility of reading them as such, but I’m too tired to care and pay close attention. It’s so obvious from the advertisements and menacing publicity alone, especially as the full-scale assault continued to rain down on Gaza at almost one year exactly when the film was released. Most importantly, to me, neither of them need to continue, yet they do. For this, I am happy to read it was a commercial failure.
And for that, they humiliated themselves for nothing even the rulers cared about, those they dedicated their mugs and public image to in their pursuit of complete conquest. Phoenix continues on, suggesting he could be someone who would really try to fuck a computerized smart house and the internet of things connecting it complete with literal clown paint (or at least as an inspiration for “incel” psychopaths) and Gaga as inflatable escort on the spot with work that has aged her beyond her years. I don’t know that she can go in on that eye adjustment again without some ocular damage.
There is a real shared madness between the two offscreen and all their sponsors and enablers vying for relevance under a ruling order that plans on cutting them off, perhaps sooner rather than later if the destruction of even the heavy hitters’ abodes in Southern California is any indication. Again, their persistence despite their combined net worth being in the hundreds of millions points toward a limited number of conclusions about their motivations – disdain and hatred for, and mockery of, their audiences that reflects the demo- and genocidal order they advertise for without shame. May the whole Pentagon-Hollywood operation also go down in flames this year, and not just as part of planned demolition, but due to continued public rejection of their obscenity. Ruling class propping up of their previous mediocrities and letting this fall flat without extensive PR maybe points to a concern about their protestations about us fools even existing being “too much”.

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